Tryin’ to
find a way back Home:
An Introduction to the Literature and
Legacy of Homelessness in
Instructor: C. Fee
Meeting Time: MWF
Meeting Place: Patrick-101
Office: Breidenbaugh 406
Office Hours: MWF
Office Phone: x6762
Home Phone: 528-4799 (Call before
E-mail: cfee@gettysburg.edu
Required Texts ~ Course Description ~ Course Objectives ~ Course Evaluation ~ Course Workload ~ Course Requirements
Writing Process
~ Preparation and Participation
~ Exams
Ehrenreich, Barbara. Nickel and
Dimed: On (Not) Getting By in
Failer, Judith Lynn. Who Qualifies for Rights: Homelessness, Mental Illness, and Civil Commitment. Cornell Univ Press, 2002. (ISBN: 080143999X)
Hilfiker, David. Not All of Us Are Saints: A Doctor's Journey With the Poor. Ballantine Books, 1996. (ISBN: 034545975X)
Kennedy, William. Ironweed.
Penguin
Kozol,
Jonathan. Rachel and Her Children: Homeless Families in
Liebow,
Elliot. Tell Them Who I Am: The Lives of Homeless Women. Penguin
Steinbeck, John. The
Grapes of Wrath. Penguin
Rossi, Peter. Down and Out in
Stringer, Lee. Grand Central
Winter: Stories from the Street.
Selected videos including: Citizen Ruth, The Grapes of Wrath, Ironweed,
“Homelessness”
is a term that conjures up unsavory images in the popular imagination, flat,
generic, clichés that owe as much to fear as to fact. The truth is that
children account for a shocking proportion of the homeless in
Designed
in collaboration with the Center for Public Service at
In the classroom portion of this course we will study materials from a number of non-fiction texts, organizational websites, popular newspapers and magazines; moreover, we will read a number of memoirs and novels that are concerned with homelessness and related issues, and we will view a number of relevant films. These more literary materials may prove especially useful in transcending the comfort barrier most affluent Americans have learned to construct between “us” and “them,” between those who enjoy security and privilege and those who do not. One of the most potent powers of literature is the portal it offers us into another time, place, or consciousness; through such a gateway we may begin the long journey towards understanding and empathizing with those who are (or seem!) different. Literature also reflects a culture’s sense of itself, of what it values, and of what it fears. Thus, we will study portrayals of homelessness in popular works of fiction and film in order to refine our understanding of how the American understanding of homelessness has evolved since the Great Depression. Some of these works will reflect common assumptions about the homeless while others may challenge such views, but all will contribute to our understanding of how we as a people face the realities of poverty, homelessness, and social inequities.
Daily Preparation & Participation: 10%
Local
Service Activities & Electronic Journal: 20%
Two Short Written Reports: 10%
Two Short Oral Presentations: 05%
Two Written Movie Reviews: 10%
Final Research Paper & Research
Presentation: 20%
DC
Service Trip and Webpage: 15%
Exams: 10%
*ALL ASPECTS of this course must
be completed in order to pass the course,
regardless of the overall percentage earned.*
This course is speaking and writing
intensive, involves a great deal of discussion and intellectual analysis, and
promises to develop personal confidence and leadership skills. Because this course fulfills the college
writing requirement, the minimum amount of writing required is 26 typed,
double-spaced formal pages (plus 14 journal pages,) and counting revision you
might well write considerably more. In addition, there are three required oral
presentations totaling no fewer than 12 minutes per student. The serious
and challenging subject matter of this seminar requires, furthermore, an
extraordinary amount of initiative and intellectual self-examination on the
part of each participant; it also requires participation in activities
outside of the classroom, including at least 20 hours of service over the
course of the term. In addition to traditional reading and writing
requirements and exams, students must participate in a range of activities,
some as a group, some on their own. Thus,
students in this course will learn through careful and sensitive observation
and thoughtful and timely action, as well as through the traditional academic
skills of reading, writing, and studying.
1) Two short written reports (3-5 pages) and related informal oral reports (2-3 minutes); one each about an on-campus human rights organization, and one each about the student’s individual local service program.
2) Weekly entries in an electronic journal posted on the course web site. These journal entries should be 250-500 words each, and should illustrate the student’s reflection on her/his local service activities that week in the context of class discussion and readings. These entries are meant to be informal, and the students need not concern themselves with evaluation; still, simple spelling and grammar checks are less painful than the humiliation of egregious errors in a public forum.
3) Two movie reviews (4-6 pages each) discussing the stereotypes of and insights to the issue of homelessness as these are manifested in two or more of the films screened for the class. No more than one third of each review may comprise salient plot summary; at least a third should be devoted to a critical analysis of the film’s appropriation of the issue of homelessness, and roughly the same proportion should be devoted to contextualizing the film within the milieu of the course readings and service experiences.
4) A final research paper (12-15 pages) on some aspect of homelessness, including the process of (a) selecting the topic, (b) sharing an oral presentation (8-10 minutes), (c) demonstrating research ability in the creation of an annotated bibliography, (d) presentation of an outline with an introductory page.
5) Two exams concerning the readings, the films, class discussion, and student presentations. These exams will include both essay questions and short-answer identifications. Students will have some latitude in choosing which questions to answer (e.g. two out of three essays, five out of eight IDs, etc.)
6) Weekly involvement (20 or more total hours spread over the course of the term) in an individual student-designed and instructor-approved program of local service such as literacy tutoring, Habitat work trips, regular volunteering at the local soup kitchen or the Adams County Homeless Shelter, etc. In addition, students are expected to participate (2 or more hours) in some of the activities of National Homelessness Awareness Week in November.
7) Individual attendance at meetings (4 or more meetings) of a campus service or human rights organization chosen by the student (Amnesty International, Habitat for Humanity, etc.), and participation at (2 or more) organization events.
8) Full participation in the course service-learning trip over the October Reading Days; this trip will run from Friday evening through Tuesday afternoon, and will involve work in the homeless shelters of N-Street Village, food-preparation at DC Central Kitchen, and numerous other service opportunities and visits to non-profit organizations.
9) Daily class participation and attendance; regular attendance at evening film screenings (4 or more out of the total of 6, unless the screenings are in conflict with another academic obligation.)
10) Substantive
contribution to the course interactive web project on homelessness. This
project will include each student’s electronic journal articles, as well as
relevant digital static images and digital video interviews from our individual
local service and our group service-learning trip to
11) The moderation of
12) All aspects of this course must be completed in order to pass the course.
Revision is a crucial aspect of writing, and the structure of this course reflects that importance. The writing component of this course is concerned with acquiring and honing necessary compositional skills; such objectives often become blurred by the hoop-jumping nature of the grading process, however, and my role as a facilitator and more experienced writer within a community of writers becomes conflated with my role as evaluator of your work. This does no one much good. I’d like to teach a course such as this one without grades, but that is impractical for a number of reasons. I have, instead, devised a system whereby grading in this course is structured around those things most important to the practice of writing: hard work, perseverance, and revision, revision, revision. The journal writing is "low stakes," and encourages the writer to take risks; the short papers and movie reviews offer the opportunity for ample feedback from the instructor, and are prime candidates for fruitful revision; the research project has a longer trajectory, and offers each writer the chance to work closely with the instructor through a series of compositional stages. I can’t promise everyone an “A” in this course, but I can promise that I have structured the grading system so that, if you complete all assignments on time, you do not miss class, and you always come prepared and willing to participate, you should earn a satisfactory grade, and you may improve this grade by revising the graded essays. You may revise these essays as many times as you like, and only the highest score of each will be averaged into your final grade. HOWEVER: You must submit each revised draft within ONE WEEK of the day you received the previous graded draft. Please refer to the handout on grading for a break-down of my expectations concerning an "A" essay, a "B" essay, etc.
You are expected to be present, prepared, and ready to participate
in each and every class period.
There will be two exams; each exam will be divided into three
sections:
We will review before each exam, and the sort of material which
you must know will be clearly indicated.
Syllabus
and Schedule Subject to Change