CULTURE


News
Masthead
Staff
Submissions
Links


SELECTIONS

Seth Abramson
Martin Seay
Jim Simmerman
Bob Hicok
Alice Friman
Albert Goldbarth
G. K. Wuori
S. Gruen
John Brehm
David Kirby
Lesley Quinn
Christine Garren
Natasha Sajé
Roy Jacobstein
Rebecca McClanahan

SHOP

Subscriptions

Gift Subscriptions
Current Issue
Featured Back Issue
Back Issues
Advertising
     

The 2007 Gettysburg Review Conference for Writers

The Gettysburg Review is pleased to announce an inaugural Conference for Writers, to be held June 6-11, 2007, on the campus of Gettysburg College. We invite you to join us in creating a community of writers in a bucolic, convivial, and historic setting. Small workshops (maximum ten people per workshop) will be led by award-winning writers who have dedicated their lives to the teaching of poetry and prose. All registered conference participants will receive a complimentary one-year subscription to The Gettysburg Review.

THE PROGRAM

Arrival and Departure
Check-in will take place from 3-5 p.m. on Wednesday, June 6. A welcoming reception and author reading will be held at Gettysburg College’s Musselman Library starting at 7 p.m. On Sunday evening, participants will gather for a closing social and barbecue. Check-out is on Monday, June 11.

Workshops, Panels, and Readings
Morning workshops (from 9 a.m. to 12 noon) will commence Thursday, June 7, and continue Friday, Saturday, and Sunday. These workshops will focus on the revision of new writing.
Afternoon panels (1:30-3 p.m.), held each day of the conference, will provide participants opportunities to talk with working writers and editors about craft, publishing, and genre issues.
Author readings and book signings will be held Wednesday, Thursday, and Saturday evenings from 8-9:30 p.m. An open-mic student reading will take place on Friday evening.

ADMISSION & SCHOLARSHIPS
Admission to the conference is based on application date and on the application materials submitted. One partial-tuition scholarship of $285 will be awarded in each genre.

HOUSING
Conference participants may make their own reservations at Gettysburg-area hotels (please note that hotels tend to fill up rapidly in the summer, and are often booked many months in advance). Or, conference attendees can stay on campus in single-occupancy, air-conditioned rooms with private bathrooms. These rooms are furnished with a small refrigerator, microwave, and linens. An on-campus meal plan is optional.

COST
Conference tuition:       $585 (does not include housing or meals)
Housing:                      $225 (five nights-on campus)
Meal Plan:                   $110 (on campus-three meals/day X four days + breakfast                                                     on the last day)

APPLICATIONS
Click here to access the PDF application forms, which you should print, fill out, then mail to Kim Kupperman at the address indicated.

FOR MORE INFORMATION
Please contact Kim Dana Kupperman at 717-337-6774, or by e-mail at kkupperm@gettysburg.edu.

OUR DISTINGUISHED FACULTY

Poetry

Dean Young is the author of embryoyo (forthcoming in January 2007), Skid, First Course in Turbulence, Strike Anywhere, Design with X, and Beloved Infidel. He is the recipient of a Stegner fellowship from Stanford, two fellowships from the National Endowment for the Arts, and a Guggenheim Fellowship. His poems have appeared three times in The Best American Poetry series. He is on the permanent faculty of the Iowa Writers’ Workshop and also teaches in the Warren Wilson MFA program.

Alice Friman is the author of a new collection of poems, The Book of the Rotten Daughter from BkMk Press. Her work has appeared in Boulevard, the Georgia Review, Poetry, The Gettysburg Review, the Southern Review, and elsewhere. Her last book, Zoo (University of Arkansas Press), won the Ezra Pound Poetry Award from Truman State University and the Sheila Motton Prize from the New England Poetry Club. She is Poet in Residence at Georgia College & State University in Milledgeville, Georgia.

Nonfiction

Rebecca McClanahan is the author of The Riddle Song and Other Rememberings, which won the 2005 Glasgow Award for nonfiction. She has also published four volumes of poetry (most recently Naked as Eve) and three books about the writing craft, including Word Painting: A Guide to Writing More Descriptively. Her work has appeared in The Best American Essays, The Best American Poetry, Boulevard, the Georgia Review, The Gettysburg Review, and numerous anthologies, and her awards include a Pushcart Prize in fiction, the Wood prize from Poetry, a New York Foundation for the Arts Fellowship in nonfiction, and (twice) the Carter prize for the essay from Shenandoah. She teaches in the MFA Program at Queens University in Charlotte, the Kenyon Review Writers Workshop, and the Hudson Valley Writers’ Center.

Robert Atwan is series editor of The Best American Essays, which he founded in 1985. In addition to editing several anthologies and textbooks, his essays and reviews have appeared in the Atlantic Monthly, the Boston Review, Denver Quarterly, the Iowa Review, the Kenyon Review, the Los Angeles Times, the New York Times, and River Teeth. He has served as a consultant to the National Endowment for the Humanities and the Ford Foundation, and has judged the AWP Award for creative nonfiction. He is the director of the Blue Hills Writing Institute at Curry College, where he is a visiting professor.

Fiction

Joan Connor has published three collections of short stories, Here on Old Route 7, We Who Live Apart, and History Lessons, which won the 2002 AWP Award in Short Fiction. Her collection of essays, The World Before Mirrors won the 2006 River Teeth prize in nonfiction. Her work has appeared in Chelsea, Glimmer Train, the Journal, the Kenyon Review, the Southern Review, and elsewhere. She is a recipient of an Ohio Arts Council grant, a Pushcart Prize, the John Gilgun Award, and the Ohio Writer Award in fiction and nonfiction. She is a full professor in fiction writing at Ohio University and a faculty member at the University of Southern Maine’s Stonecoast MFA Program.

Clint McCown has published three novels, The Member-Guest, War Memorials, and The Weatherman, and two collections of poems, Sidetracks and Wind Over Water. He has worked as a screenwriter for Warner Brothers, a broadcast journalist, and as an actor for the National Shakespeare Company. He is the recipient of the S. Mariella Gable Prize, the Society of Midland Authors Award, an AP Award for Documentary Excellence, and two nominations for the Pulitzer Prize, and has twice won the American Fiction Prize. He is a former editor of Indiana Review, and founder of the Beloit Fiction Journal, which he edited for twenty years. He teaches in the creative writing program at Virginia Commonwealth University and in the University of Southern Maine’s Stonecoast MFA Program.