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In This Issue
Naeem
Murr
Sally Drumm
Donald Hall
Molly Hutton
William R. Stimson
Floyd Collins
Christopher Torockio
Scott Schrader
Bret Lott
Caroline Finkelstein
Joyce Peseroff
Max Garland
James Grinwis
Harry Humes
Hailey Leithauser
Sean Nevin
Ryan Flaherty
Mark Kraushaar
Vern Rutsala
Mark Workman
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The Winter 2004 issue showcases paintings by Mark Workman, essays by
Naeem
Murr and Donald Hall, fiction by Bret Lott, Scott Schrader, and
Christopher Torockio, and poems by Caroline Finkelstein, Max Garland,
and Hailey Leithauser, as well as outstanding work by several others.
To order a copy of the Winter 2004 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 17.4.
Contents
Volume 17, Number 4 / Winter 2004
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, Editor’s
Pages: “The Kingdom of Maroni, Part IX,” 509
Naeem Murr, “Don
Nelson Sings Elvis,” 519
Sally Drumm, “Letting
Go,” 547
Donald Hall, “Coming
and Going,” 562
Molly Hutton,
“Near and Distant: Mark Workman’s Luminist Vision,” 574
William R. Stimson,
“The Ash Girl,” 596
Floyd Collins,
“Makers and the Making” (review of Complaint in the Garden,
by Randall
Mann; Ecstatic in the Poison, by Andrew Hudgins; and Lives
of the
Animals,
by Robert Wrigley), 636
FICTION
Christopher Torockio,
“Beach Ball,” 527
Scott Schrader,
“The Marine Museum,” 585
Bret Lott, from
Ancient Highway, 608
POETRY
Caroline Finkelstein,
“Maidenhair,” “October Medium,” and “November
Difficulty,”
524
Joyce Peseroff,
“Belated Birthday Greetings,” 546
Max Garland, “An
Exercise in Waking Up on Davenport Street” and
“Day
So Bright,” 560
James Grinwis,
“Guilt” and “On Closer Inspection,” 571
Harry Humes, “Walking
out of the River,” 573
Hailey Leithauser,
“The Suicide Plots to Return and Raise Hullabaloo,”
“Lust
Song,” “Miracles,” and “Orgasm,” 592
Sean Nevin, “Solomon’s
Palimpsest,” 602
Ryan Flaherty,
“Exertia of the Annulled,” 630
Mark Kraushaar,
“Tonight” and “Falling Brick Kills Local Man,”
632
Vern Rutsala,
“Paranoia: After Ancreon” and “Curse: After Archilochus,”
651
GRAPHICS
Mark Workman,
Paintings, 577
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